鈥業 am infinitely distressed,鈥?he began. But Alice, with her temper rising to heights uncontemplated, interrupted him. 鈥楢nd you didn鈥檛 go home and change after your football?鈥?asked Alice. 鈥榊ou are too bad! You promised me you would!鈥? 鈥楩aithfully yours, 北京pk10赛车计划软件 鈥楢nd you didn鈥檛 go home and change after your football?鈥?asked Alice. 鈥榊ou are too bad! You promised me you would!鈥? She got up, the sense of being wronged for the moment drowning her shame. It was his fault; he had made her think that he wanted her. She had long been termed his Helper, and now he had made himself clear by terming himself the mere man. At least she had thought he made himself clear. But the silence made him clearer. What's going on here? Is there some kind of patternemerging? How come they are so much alike? They haveall grown up with harmonious behavior on many levels,physical and mental. They have synchrony. But many young fail also, because they endeavour to tell stories when they have none to tell. And this comes from idleness rather than from innate incapacity. The mind has not been sufficiently at work when the tale has been commenced, nor is it kept sufficiently at work as the tale is continued. I have never troubled myself much about the construction of plots, and am not now insisting specially on thoroughness in a branch of work in which I myself have not been very thorough. I am not sure that the construction of a perfected plot has been at any period within my power. But the novelist has other aims than the elucidation of his plot. He desires to make his readers so intimately acquainted with his characters that the creatures of his brain should be to them speaking, moving, living, human creatures. This he can never do unless he know those fictitious personages himself, and he can never know them unless he can live with them in the full reality of established intimacy. They must be with him as he lies down to sleep, and as he wakes from his dreams. He must learn to hate them and to love them. He must argue with them, quarrel with them, forgive them, and even submit to them. He must know of them whether they be cold-blooded or passionate, whether true or false, and how far true, and how far false. The depth and the breadth, and the narrowness and the shallowness of each should be clear to him. And, as here, in our outer world, we know that men and women change 鈥?become worse or better as temptation or conscience may guide them 鈥?so should these creations of his change, and every change should be noted by him. On the last day of each month recorded, every person in his novel should be a month older than on the first. If the would-be novelist have aptitudes that way, all this will come to him without much struggling 鈥?but if it do not come, I think he can only make novels of wood. We will not go back to England, decided Disney. "My wife is not fond of Cornwall. Italy has been a delight to her; and Switzerland will be new ground. God grant the summer may bring about an improvement!" He looked rather grimly at his watch. 鈥楢nd you didn鈥檛 go home and change after your football?鈥?asked Alice. 鈥榊ou are too bad! You promised me you would!鈥?